List of priests in the parish of Hawley

Priest	Dates
WILLIAM F. P. PERRY	2018 –
MARTYN W. NEALE	1997 – 2017
IVOR M. HANCOCK	1980 – 1996
MICHAEL J. GUDGEON	1975 – 1980
R. GARTH LONG	1960 – 1975
STANLEY M. COLLIER	1956 – 1960
KENNETH C. DAVIS	1948 – 1955
ARTHUR W. ARMITSTEAD	1926 – 1947
HERBERT J. GLENNIE	1922 – 1926
FREDERICK E. GODDEN	1901 – 1922
JOHN I. P. WYATT	1856 – 1901
JOHN R. RANDELL	1837 – 1856

History of Holy Trinity

Holy Trinity was founded because of the “Oxford Movement”. This was as revival of “Catholic” traditions within the Church of England which was started in the 1840’s by notable theologians such a John Newman (1801 – 1890) and John Keble (1792 – 1866).

To this day the Parish of Hawley identifies with the catholic wing of the Church of England under the patronage of Keble College, Oxford who recommend and put forward to the Bishop of Guildford suitable candidates to be Vicar of Hawley.

Holy Trinity has been described as an “almost perfect example of a complete Victorian Church”. The present building was built in 1856/7. A second consecration was performed on 2nd June 1868 following another major extension.

The present building replaced the original church, which was built in 1837, and consecrated on St Thomas’s day (Dec 21). It was according to records ” a very plain and simple building, for church architecture was not much studied, or understood at that time”! The whole cost of building and endowment was about £2,000, this was paid for by the Revd John Randell. Nothing now remains of this original structure. Two small paintings can be seen in the porch of Holy Trinity, showing both the original and extended church prior to the addition of the steeple and tower.

The church and original vicarage were built by the first Vicar John Randell, whose family provided Almshouses and the village green opposite the church. They also provided for another church in the parish ( the old “All Saints” – replaced by a modern structure consecrated in 1976 ) and a convent. The old All Saints and Convent buildings with modern additions now form “Randell House” which is run as a charitable senior citizens residence.

John Randell died in 1856, a year before his new larger church was completed, he is buried under the present chancel steps.

Harriet Wyatt

The second vicar, Fr. J.I.P. Wyatt, came originally as curate, intending to stay for six months. On the death of John Randell, he became vicar and remained so for 50 years. His wife Harriet was a gifted artist., who also composed Organ music, was choir mistress and taught herself to carve stone! She was responsible for the intricate stone carvings depicting detailed flower and leaf designs, which were taken direct from nature and can be seen mainly in the Chancel and Sanctuary area. These took many years to complete and are a fine memorial to her outstanding skills.

However, it is for her exquisite Altar Frontals for which she is best known. Four have survived and can be seen at Westminster Abbey, Winchester Cathedral, Chichester and Oxford, having been restored to their original splendour in recent times. It is documented that each frontal took some seven years to complete! Sadly we do not have one in Holy Trinity Church. A brass plaque on the west wall commemorates Harriet and her work.

Why did Harriet chose the above locations for her frontals?

• WINCHESTER – where her sons went to school – portrays the Transfiguration. Made between 1880 – 1887.
• CHICHESTER – where her husband was ordained – portrays the Resurrection. Made between 1887 – 1893.
• OXFORD – two sons went to Christ Church College – portrays the Ascension. Made between 1893 – 1897.
• WESTMINSTER – to fulfil a need – portrays the Transfiguration. Made between 1897 – 1905 (first used Easter Sunday 1905).

Like many Victorian families, the Wyatt’s produced a large family, with Harriet somehow finding time to bring up no fewer than 7 children! No doubt there was help from those “below stairs”. It seems they inherited her artistic skills, and the girls often assisted their mother in her “labour of love” with the Altar Frontals and other fine embroidery and needlework.

Interesting features and details about Holy Trinity

1. The Baptistry at the West End of the Church behind the North Aisle.
   1. It contains an intricately carved Font displaying many delicate and fragile features. It was constructed shortly after 1837 and moved to its present position when the North Aisle was extended. The Octagonal bowl rests on a central column surrounded by eight Purbeck marble shafts and Capitals. These Capitals are a later addition, having been carved by Mrs Harriet Wyatt.
   1. Eight symbols are featured around the font: *Three Fishes * Crown of Thorns * IHS Symbol * The Dove * Star of David * Agnus Dei * Chi Rho or Constantine Cross * Pelican
   1. The carved font cover is an original wood carving from Oberammergau in Southern Germany. Oberammergau is famous for the Passion Play, held once every decade. The work was executed by Oscar Zwink, and shows Christ, seated on a rock, in the act of blessing some little children. The cover was given as a memorial to Field-Marshall Sir Lintorn Simmons, a regular and devout worshipper at Holy Trinity.
   1. The Baptistry stained glass window is particularly attractive and makes a beautiful backdrop, especially on a bright sunny day.
2. The 14 carved stations of the cross were provided as memorials circa. 1948. Although a later addition they complement the internal Victorian style and are an integral part of the Anglo Catholic tradition. These are used as a focus during Lent and Holy Week to walk with Christ to Calvary.
3. The stained-glass windows on the north and south aisles are typical Victorian work depicting various saints.
4. Adjoining the chancel on the North Aisle is the “Resurrection Chapel”.
   1. This was erected as a memorial to William Peel and was completed in 1908. The Resurrection Chapel is used to house the Aumbry in which the “Blessed Sacrament” in form of consecrated bread is retained as a constant presence of Christ; this is indicated by the Sanctuary candle – the Light of Christ, the candle is never extinguished when the aumbry is in use.
   1. The chapel is used for private prayer, confessions and weekday masses. This chapel also houses the Shrine of Our Lady of Walsingham. .
5. The Sanctuary, in which stands the High Altar
   1. It has a set of attractive and informative stained glass windows. They tell the story of Christ’s death on the Cross, his Resurrection , Ascension to Heaven, and the first Pentecost. Mosaic panels either side of the High Altar depict, on the left, the Old Testament prophets Melchisedek, Moses and David; on the right, the Apostles St John, St Paul and St Peter.
   1. The Altar Reredos shows the signs “Alpha” (the beginning) and “Omega” (the end) either side of the floriated carved stone cross made from English Alabaster. In addition there are Christian symbols, a Pelican and the Lamb of God in the side panels.
   1. The beautiful glass mosaics described above were imported from Italy and installed , piece by piece, circa 1875.Messrs Salviati of Venice was commissioned to complete the task. They were a gift from Miss Tipping and cost more than £300.
   1. The Reredos also has Green Marble Shafts from Connemara and other marble columns are made from Cornish Serpentine.
6. The Chancel has many features including Harriet Wyatt’s stone carvings adorning the pillars, some of which are fashioned from Purbeck marble.
7. The Oak Choir stalls are also carved and sit upon the patterned tiled floor which becomes more intricate beyond the High Altar steps.
   1. Two mosaic panels set in the walls above the entrance to the Resurrection chapel and the vestry are of special interest. They were executed by Bourke and Co. of Paris, from designs by Clayton and Bell ( who also designed several of the stained glass windows). They depict, on the left, Christ’s entry into Jerusalem on Palm Sunday and on the right, the Martyrdom of St Stephen. Recent cleaning has revealed the true beauty and artistry of these works.
8. The oak lectern is a very fine example of wood carving in the shape of an Eagle. Originally purchased in 1868 at a cost of £16-0-0, the craftsman is not known.
9. The communion rails and supports originated from the old All Saints church following its deconsecration in 1975. Like the Nave Altar these are modern additions introduced (as in many churches) to help the congregation feel more “central” to the service
10. The church has a peal of 8 bells rung from the bell tower over the west entrance to the church. They were originally rung from what is now the main entrance porch until a ringing floor was installed in 1904. The original bells were inscribed “cast by John Warner & Sons London 1882” – the two smallest being dated 1891. They were overhauled and re-hung in 1949 as commemorated by a plaque in the Porch.
    1. When the church tower and spire, built in 1882, underwent a structural survey in 1990, it was indicated that the ringing chamber was not strong enough to support the combined weight of approx. 3.5 tons (3540 kgs), so something had to be done. The solution was both practical and unusual.
    1. Having established that lighter bells were necessary, the possibility of a “part exchange” arrangement was considered and adopted. In 1992 the original bells were removed after much planning and preparation. Following modification of the frame and tower, the bells were replaced with bells that originally been cast at the famous Whitechapel foundry for Epsom Common Church in 1890. At a mere 2.45 tons (2490 kgs) they were ideal for Hawley, but before re-hanging, they were returned to Whitechapel, 102 years after they had left, for overhaul and tuning.

Restoration and maintenance

As with any beautiful building there is a constant need to repair and restore the church fabric. The church is “living” and modifications need to be carried out to our buildings to enable modern liturgy to be celebrated.

During the early 1990’s, a major refurbishment programme was implemented, both inside and out, to help maintain our church in the best possible order. This is ongoing, much has been achieved, largely due to the generosity of many parishioners who have supported the heavy financial burden through “Stewardship” giving. Those who visit the church can see the results.

The interior was completely redecorated – from floor to roof ( which entailed cladding the interior shell with scaffolding and closing the church for eight weeks).150 Years worth of soot was removed by pressure blasting etc. to reveal beautiful warm bricks in reds, greys, yellows, and brown, the stonework was a mellow yellow – a true revelation

The wood “rafts” on which the oak pews sat were removed to give a level floor area; no longer did we have a step to trip over. No one knew what we would find under the rafts – in the event it was wet and dry rot, plus a large void with brick floor supports which looked very insecure. When a similar “raft” supporting the chapel altar was inspected, it was discovered to be in imminent danger of collapse because of dry rot ( the priest could have fallen through at any moment!) below was a 6ft drop! All these timbers had to be renewed rather than re-used, which had been the plan, so our congregation is now quite safe.

Some pews were in poor condition, so the better ones have remained in the centre aisles and chairs introduced to the side aisles. This gives us flexibility for certain events, plus new pews are very expensive.

Holy Trinity organ history and technical details

The current organ was a gift from the Randell family and installed in 1873, having been delivered to Blackwater station by train. It was built by John Nicholson of Worcester. Additional stops were added in 1876 and 1889, and it was renovated in 1931. The laborious task of manual pumping became redundant in 1949 when G Osmond & Co. of Taunton fitted an electric blower, they also overhauled the organ in 1953.

The organ was moved to its current position at the back of the south aisle in 1995, having been originally located in the vestry area – not the best place from an acoustic point of view. This has created more space in the vestry for preparation before services etc. The organ was completely rebuilt and modified (not for the first time) including a new hand built outer case in Ash and Elm wood. The case incorporates 23 of the Great Open Diapason Bass pipes. The construction was based on a design submitted by Mr Tawney Jones, the church architect. The whole project took the organ builder – Mr Robin Rust of Fleet, Hants – well over two years to finish.

The rebuild retained the Double Manual and Tracker action together with all the original pipes – some 700 in all. Many of the pipes are wood, the “show” pipes are metal.

The rebuild included restoration of the original soundboards, electrification of the Bourdon chest, new open Wood chest and extension chest. A new wind system was installed, giving each department its own bellows, but the original Discus blower was retained. Completely new tracker action was provided to the manual departments and pedal couplers, with solid state action to the pedals.

The new console features adjustable pistons and reversers, which also required the provision of “Electro-pneumatic drawstops” to replace the old mechanical system. A standard curved (radiating) concave pedal board system has replaced the old “inline” original and overhanging keys provided.

During the rebuild it was decided to replace the first rank of the mixture and as there was ample room in the swell box, also the bottom octave of the Open Diapason. Why or when these features were removed from the instrument is not known, as it was found to be capable of supporting the demands of the full Swell, including the full compass 16ft Dulciana. The old tenor “C” Cremona was also restored and completed by the addition of a bottom octave.

The Humidifier unit* – a feature not obvious to the untrained eye – also had to be refurbished.

Organs are complex instruments with many moving parts, often made from wood. Leather bellows controlling the air supply need to be kept supple, and not allowed to dry out; otherwise, they tend to crack. To maintain the parts in good working condition, the correct air quality inside is important – hence the humidifier. This is controlled automatically by a sensor.

So not only does our organ require air and electricity, it requires water as well (not to mention the Organist of course).

Woodwork in Holy Trinity, Hawley

When the organ was re-positioned and rebuilt it was discovered that the sound box, that was being replaced, had been constructed from part of the original packing case the organ had been shipped in, and still had a small label attached which read:

Mr Nicholson (the organ builder)
Hawley Church
Blackwater Station Farnborough
S.E.R (South Eastern Railways) Hants
Carriage Paid Sept 21 1873

The tower and spire were erected in 1882 at a cost of £1270. In 1910 the spire was inspected and the shingles ( Oak tiles which clad the spire) replaced/repaired for a cost of £19.15.0 (£19.75).

In 1939 the shingles were completely replaced having worn out and been damaged by woodpeckers, this time they were replaced with cedar at a cost of £150. A framed photo of this event was recently (1999) found gathering dust in the belfry. Whilst being reframed by one of our parishioners, a small leaflet, pleading for funds to repair the spire, was discovered secreted behind the photo. This photo and its hidden contents can now be seen in the porch.

Sixty years later, they needed replacing again. In 2001 the shingles were replaced, this time with a stainless-steel liner under them, at a cost of approx. £21,000.

History of All Saint’s church

This picture of the interior of All Saints’ was probably taken in the 1970’s

This history has been gathered from a leaflet compiled and printed in 1973 by Mr L C Last. He in turn was indebted to information provided by the then incumbent of Hawley the Revd. Garth Long.

The “old” All Saints’ was deconsecrated in 1976 partly due to a population shift in the Farnborough area, and the need for major building renovation requirements. Its place was taken by the new All Saints’ Church and Centre which is approximately 1/2 mile further down Fernhill Rd, nearer to a major housing conurbation.

The building still exists but is unused. The external features are unchanged except the bell has been removed. Some of the stained-glass windows are still in place, however their colour is difficult to discern due to internal building changes. Sadly, little of the interior described in this history still exists. It is still possible to see two marble columns, the altar step and the blue sanctuary roof.

The following is the text of a leaflet made available to visitors to the church in the 1970’s

We in Hawley are more than pleased to share our little building with all who visit us. The walls of this living church echo with the voices of those who have worshipped here, and the footsteps of those who have passed through its doors since they first opened in 1881. Spare a thought for those who have gone before you, and by whose industry and love, this building was created, and kept alive over the years, so that you dear visitor can enjoy its beauty. Rest awhile in peaceful surroundings and share with us the joy of this place.

We hope you will enjoy your visit to our little church, and that you will come back again sometime.

L C. Last August 1973

All Saints’ Church – Hawley A brief history

In 1881 Mr. Charles Randell of Fern Hill, Hawley, (a cousin of the Revd. John Randell who was the founder of Holy Trinity Church, Hawley), built and endowed All Saints’ Home (now Randell House) and founded a Chapel – now known as All Saints’ Church.

The Home was intended as a convalescent home for the people of a parish in East London, but before it was completed Charles Randell died. The Home and Chapel were completed in 1882 by his widow Eden Randell in his memory, and the Community of St. John Baptist, Clewer, under the guidance of Canon T.T. Carter, their founder, undertook to run the Home as a home for girls and young children from the slums of London who were without homes of their own, or “exposed to evil influences”.

All Saints’ continued as a home for children until 1937 when it became a house of Rest and Prayer for ladies. The home closed for a short time at the outbreak of the Second World War in 1939 but reopened the following spring. In 1953 All Saints’ Home was handed over to the Royal United Kingdom Beneficent Association who modernised and enlarged it, and the following year the Sisters of the Clewer Community left to return to their Mother House at Clewer, near Windsor.

Although All Saints’ Church was the chapel of the Home, it was always open to the public and there was a close link with the parish of Hawley. The Vicar of Hawley was normally a member of the Home committee.

All Saints’ Church was officially handed over to the Church Commissioners in March 1955 and consecrated by the Bishop of Guildford on the 8th May the same year.

The Church was designed by Mr. Arnold Hoole (who also designed the tower and Spire of both Holy Trinity Church, Hawley, and St. Michaels Church, Yorktown (Camberley). The building consisting of the nave, apsidal chancel and sanctuary was completed on the 25th March 1882 -Lady Day – and dedicated by Bishop Harold Browne on the 13th May, of that year.

In 1890 the sacristy was added and the work paid for by Mrs. Randell. In 1902 the porch was built by Mr.J.C. Randell – nephew of Mrs. Randell – and in 1924 the Chapel of the Blessed Sacrament, designed by Mr. Cecil Hare, was erected. The stone crucifix on the exterior of the east wall of the Chapel, was added a year later. NB (This still exists)

The church is built of red brick, and the chancel and nave are covered by a timber barrel roof with a tiled exterior. Originally there was a small bell tower constructed of timber, situated above the east end of the nave. The bell tower became unsafe over the years and in 1955 it was removed and the bell rehung above the west door of the nave where it Is today.

The stained-glass windows and other features:

On entering the outer porch, a brass plate fixed to the left hand wall reads:

To the Glory of God. The undermentioned works were given as thank – offerings by John Charles Randell of Hawley, Blackwater. Exterior Porch Chancel Screen & Gates with alterations to Chancel floor.

Through the west door of the church and on the west wall to your left is a brass plate bearing the inscription:

In Peace Charles Randell of Fern Hill, Hawley, died at Palerma, Feb.22nd. 1881 aged 66 “Therefore are they before the throne of God and serve him day and night in his temple” To the glory of God and in loving memory of her husband, this Chapel and Home of All Saints were completed Lady Day 1882

Above the west door is a beautiful stained glass rose window by Clayton & Bell. In the centre of the window is the Lamb of God supporting a banner on which the words “Ecce Agnvs Dei” can be seen. This central figure is surrounded by eight angels and four pairs of cherubs. The lower angel is holding the inscription “WORTHY IS THE LAMB THAT WAS SLAIN”

Turning now to the north wall of the nave, the first window shows the figure of St. John Baptist carrying a cross and banner bearing the inscription: “MIGHTIER THAN I”

The plaque beneath this window reads:

This window is erected to the glory of God and in loving memory of John Charles Randell. Born September 4th 1853 At rest December 1st 1909 “Grant him 0 Lord Eternal rest and let perpetual light shine upon Him”.

The second window is of St. Mary B.V. holding the holy babe in her left arm, and a lily in her right hand. The plaque beneath reads:

To the Glory of God and in memory of Eden Randell who departed this life on April 19th 1906 and who with her husband Charles Randell founded the home and chapel. This window is erected by her nephew J.C.Randell and other younger members of her family in conjunction with some old friends and servants.

The third window shows the figure of Christ holding a lamb in his left arm, and carrying a shepherds crook in his right hand. The inscription reads:

I AM THE GOOD SHEPHERD

The letters IHC can be seen in the small window above. There are two memorial plaques beneath the window of the Good Shepherd, the first one reads:

To the Glory of God and in loving memory of John Cruttenden Mace, Chaplain of this home from 1900 to 1906 when, on April 18th he fell asleep. And of his son  Christopher Waterman Mace April 24th 1908 aged 28 “GRANT THEM A PLACE OF REFRESHMENT,LIGHT AND PEACE”

The second plaque reads:

To the memory of our mother Mary Ellen Mace who entered into life Sunday June 25th 1911 REQUIEM AETERNAM DONA EI DOMINE ET LUX PERPETUM LUCEAT EI

Looking back to the south wall of the nave, the first window as we come in shows St. Margaret holding a spear in the act of killing a dragon. Note the unusual colouring of the dragon as if the artist has tried to reduce its fierce appearance by using many colours. In this creature can be seen yellow, purple red, orange, green and blue.

The second window in the south wall is of St. Faith, holding a wooden cross in her right arm, and a book in her left hand.

Beneath the second window is a memorial plaque to two brothers killed in the first World War. The memorial reads:

In loving memory, Ian Herbert Sydney Jameson Captain 8th Seaforth Highlanders. Born April 23rd 1888 killed in action at Guemappe France April 23rd 1917 And his brother Harry Roderick Victor Jameson 2nd Lieut. 2nd Seaforth Highlanders. Born August 29th 1897 killed in action at Fampoux France. April 11th 1917.”I Believe In God”

The third window is perhaps the most interesting one in this small church, for although it depicts St. John Evangelist holding a bible and chalice, the face is a facsimile of Canon T. T. Carter, founder of the Clewer Community, and who attended the dedication of the chapel in 1882.

The inscription at the bottom of the window reads:

“D.G. In memoriam Thomas Thellusson Carter Priest R.I.P. 1901”

Continuing into the chancel the first window on the south wall is of St Charles Borromeo – Bishop and Cardinal. In his left hand he holds a cross and his right hand is raised in blessing. A very colourful window this with the Cardinal dressed in a crimson cloak trimmed with gold. Note also the Cardinals hat and the red gloves.

The second window in the chancel is that of St. Cecilia and she is shown holding in her left arm a small pipe organ – her emblem as patron saint of musicians.

A brass plate on the wall between the two windows reads:

“To the glory of God and in memory of loved ones at rest in Christ. These windows are dedicated”.

These two windows together with the choir stalls were presented to the Chapel in 1893 by Mrs. Randell.

There are five windows in the Apse, two of which have plain glass and it is believed that they originally contained stained glass but that this was removed in order to gain more light within the sanctuary. Reading from the left, the second window contains the figures of six men and two women. One man is holding a knife and censer, one man (Moses?) is holding a tablet bearing the Roman numerals III, IV, & V. There are also in the window two angels -one playing a lyre and the other twin pipes.

The third window (centre) shows the ascended Christ wearing a crown and seated on a throne. His hand is raised in blessing.

The fourth window contains five men and two women. One man is holding a model of a church, another is playing a lyre. One man is holding two measuring rods, and one is carrying a small coin bag. Two angels are included in this window, one is playing the cymbals and the other a stringed instrument.

The carved wooden Reredos behind the altar was designed by Cecil Hare, and was erected in 1931 in memory of Sister Mary Cecilia who had spent nearly all her life as a Sister at Hawley. She was Sister in charge of the Home from 1922 to 1930. There is an inscription to the right of the reredos which reads:

Pray for the soul of Sister Mary Cecilia C.S., J.B. who died on the feast of St Phillip & St. James 1930. This Reredos was given by her relatives, friends and “Old Girls” as a Thank-offering for her life. LAUS DEO

The Organ was given to the church in 1886 by Thomas Dyer Edwards of Waverley Court, Camberley, in thanksgiving for the recovery of his wife from a serious illness in the autumn of the year 1884.

The Chancel Screen was presented to the church in the year 1890 by J.C. Randell. Behind the Rood can be seen a small brass plate which reads:

R.I.P. Louisa Mary Stepney April 1st 1939

The five carved figures in the front of the altar represent the four Doctors of the Church and the central figure is of the Blessed Virgin. Details of these figures are given on page 12.

Around the Sanctuary arch facing west, can be seen seven sets each of five marks. These marks are where the seven sanctuary lamps used to hang, now long since removed.

At the apex of the east side of the Chancel arch can be seen the hole in the roof through which the rope to ring the sanctuary bell used to pass.

The bell was moved to the west end of the nave when repairs to the roof were carried out in 1955. The wear marks made by the bell rope against the face of the arch can be clearly seen.

To the visitor the absence of a font will have been noticed. In this Church of All Saints’ a portable font is used at Baptisms. The original stone font (which was also portable) was discarded some years ago, and replaced by a silver bowl. The remains of the original font can be seen outside the church at the east end entrance to the Lady Chapel.

The figures in the Altar

There are five figures in all, carved in oak. They represent the four Doctors of the Church and the fifth is of Our Lady and the Holy Child.

From left to right, the first figure is that of St. Augustine of Hippo, and is shown with a burning heart. St. Augustine was born at Numidia in 354 and died at Hippo in 430. He was Bishop or Hippo and for 34 years was one of the greatest bishops in the history of the Christian Church in a diocese of North Africa.

The next figure is of St. Gregory the Great and he is shown wearing a triple tiara. He is also carrying a staff and book. St. Gregory was the first and greatest of sixteen Popes named Gregory, and is accounted the fourth of the great Latin doctors of the church. He was born in Rome in 540 and died there in the year 604.

To the right of Our Lady and Child, is the figure of St. Ambrose holding a beehive. Born at Trier between 334 and 340, he was made Bishop of Milan in 374. He was the first teacher in the West to make extensive use of hymns as a popular means of divine praise. He died at Milan in 397.

The last figure is that of St. Jerome, the most learned of the Latin fathers of the church and among the greatest of biblical scholars. Practically the whole of the Latin Bible was either translated from Hebrew and Greek or worked over by him. He is shown holding a bible and a model of a church. In art, he is often shown accompanied by a lion, and represented with a cardinal’s hat, because of his service to Pope Damasus. St. Jerome was born in Dalmatia in 342 and died at Bethlehem in 420.

Murals

On your right as you enter the church is a mural painted by congregation member and artist Helen Brady in 2016.